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Elad Lassry at Massimo De Carlo, Milan

by mousse

May 28~2015

At the core of these new works is an inquiry into what engagements are possible with the picture, as well as a questioning of the picture’s condition, capacities, and failures as a contemporary unit. Elad Lassry resorts to questioning the picture itself as an entity, as well as an unresolved space of representation, bouncing back and forth between an acknowledgement of the picture as an image-based unit to a treatment usually reserved for an object. In doing so, the artist challenges the picture’s given status of flatness, allowing at times, the participation that occurs between the picture and multiple agencies, economies, and systems to take on an actual form.

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Julie Béna “Nail Tang” at Galerie Joseph Tang, Paris

by mousse

May 27~2015

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Destination Vienna 2015 at Kunsthalle Wien

by mousse

May 27~2015

Adrian Alecu, Ovidiu Anton, Anna Artaker, Kurdwin Ayub, Josef Bauer, Cäcilia Brown, Adrian Buschmann, Hugo Canoilas, Julian Charrière, Mitya Churikov, Eva
Egermann, Christian Eisenberger, Christian Falsnaes, Marina Faust, Lukas Feigelfeld, Daniel Ferstl, Andreas Fogarasi, Heinz Frank, Heribert Friedl, Peter Fritzenwallner, G.R.A.M., Kerstin von Gabain, Till Gathmann, Aldo Giannotti, Sofia Goscinski, Julian Göthe, Eva Grubinger, Harald Gsaller, Rebekka Hagg, Michael Heindl, Nicholas Hoffman, Ana Hoffner, David Jourdan, Barbara Kapusta, Eric Kläring, Tonio Kröner, Tina Lechner, Sonia Leimer, Paul Leitner, Los Destinados (Julius Deutschbauer / Klaus Pobitzer / Panos Mylonas), Constantin Luser, Nana Mandl, Ralo Mayer, Christian Mayer, Sarah Mendelsohn, Melitta Moschik, Hans Nevidal, Josip Novosel, Denise Palmieri, Michael Part, Nicola Pecoraro, permanent breakfast (Friedemann Derschmidt / Abbé Libansky / Karin Schneider / Barbara Zeidler), Lilly Pfalzer/Sergio Valenzuela, Karin Pliem, Johannes Porsch, Hanna Putz, Andreas Reiter Raabe, Ritornell, Valentin Ruhry, Maruša Sagadin, Ari Sariannidis, Johann Schoiswohl, Leander Schönweger, Misha Stroj, Philipp Timischl, Jenni Tischer, Octavian Trauttmansdorff, Nadim Vardag, Salvatore Viviano, Astrid Wagner, Tanja Widmann, Birgit Zinner

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“Itinerarios XXI” at Fundación Botín, Santander

by mousse

May 27~2015

The 21st edition of Itineraries, “Itinerarios XXI”, features the works of nine artists. Some boast a long, time-honoured trajectory on the international art scene, whilst others are new talents with very interesting proposals: Carles Congost (Olot, 1970), Albert Corbí (Alcoi, 1976), Patricia Esquivias (Caracas, 1979), Jon Mikel Euba (Amorebieta, 1967), Rodrigo Oliveira (Sintra, 1978), Wilfredo Prieto (Sancti Spiritus, 1978); Julia Spínola (Madrid, 1979), Justin Randolph Thompson (Peekskill, NY, 1979) and Jorge Yeregui (Santander, 1975).

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AA Bronson “Hexenmeister” at Maureen Paley, London

by mousse

May 26~2015

The exhibition will also feature works by General Idea.

General Idea’s Mondo Cane Kama Sutra (9 figures) #2 spins Stella-like abstraction into canine eroticism; it has not been seen for thirty years. It is shown here together with General Idea’s original Black AIDS painting, which is being exhibited for the first time.

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“Open Source: Art at the Eclipse of Capitalism” at ARTUNER

by mousse

May 26~2015

Allora & Calzadilla, Cory Arcangel, Bernadette Corporation, Ian Cheng, Simon Denny, Jeff Elrod, John Gerrard, Calla Henkel & Max Pitegoff, Pierre Huyghe, Alex Israel, Daniel Keller, Josh Kline, Agnieszka Kurant, Ajay Kurian, Louise Lawler, Michel Majerus, Megan Marrin & Tyler Dobson, Katja Novitskova, Albert Oehlen, Richard Prince, Sebastian Lloyd Rees, Tabor Robak, Pamela Rosenkranz, Hugh Scott-Douglas, Steven Shearer, Reena Spaulings, Frank Stella, Rirkrit Tiravanija, Kelley Walker, Christopher Wool

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Maria Adele Del Vecchio “Within, Rather Than Above” at Galleria Tiziana Di Caro, Napoli

by mousse

May 26~2015

The work of Maria Adele Del Vecchio is heterogeneous, as are the themes she deals with, from politics, to history, from literature, to sociology, but all connected by a common principle: to overcome the tendency to mass hypnosis, cancelling those automations that alter the behaviour of the human being. The title, “Within, Rather Than Above”, refers to a specific approach which involves the desire to give back a renewed character of essentiality to aesthetic contemplation: the idea is to work on the relationship, the “emotional correspondences” that arise from everyday experience, from the direct contact with objects that become works themselves, in an attempt to formulate a new language that contributes to the growth of awareness of oneself and of the other in space.

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Lara Favaretto “REDEFINE” at Galleria Franco Noero, Turin

by mousse

May 25~2015

The exhibition project revolves around four main groups of works that resonate with each other, while remaining fully autonomous on a formal and conceptual level. As is often the case in the artist’s work, the concepts of time, trace and memory are all implicated and brought into question by a process of semantic renegotiation that focuses on their ambiguity and instability.

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Asger Dybvad Larsen “Transformed in Translation” and Andreas Zingerle “Energy Saving” at Rolando Anselmi, Berlin

by mousse

May 25~2015

Asger Dybvad Larsen “Transformed in Translation”

Larsen works mainly on the physicality of the painting and on the transformation of traditional paintings materials. His works are both painterly and highly tactile and are identified most clearly in their dialectical conversation with the medium’s traditions and its classical structure. For this exhibition Asger Dybvad Larsen concentrates in the transformation that happens when you press a painting, covered with wet paint, against another painting.

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Alex Da Corte “Devil Town” at Giò Marconi, Milano

by mousse

May 25~2015

Act One : Scene One

Night.
A tree.
You are drowning in a room of glowing piss.
You think your shoes are too tight.


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“again, again and again” at Edouard Malingue Gallery, Hong Kong

by mousse

May 24~2015

Delicately transposed. it’s the displaced materiality in Eric Baudart’s works that spurs their contemporary resonance. Millimeter paper, mattress frames, doormats – everyday, commonplace elements are flushed of everyday context and repurposed to create oeuvres that titter on the edge of artifice. “again, again and again” at Edouard Malingue Gallery marks Baudart’s first solo show in Hong Kong and presents a new series of works as well as two installations that introduce how his practice evolves from Duchamp’s readymade. whilst simultaneously devolving from it. The works or situations proposed are not mere found objects but rather reconfigured and repurposed, composed and re­ choreographed materials that have been carefully assembled or moulded to mount a delicate ballet of shapes, colour and form.

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“Roth Bar & Studio. Dieter Roth, Björn Roth, Oddur Roth” at Hauser & Wirth, Zürich

by mousse

May 23~2015

First conceived by Dieter Roth in the early 1980s, “the bar” is a dynamic and changing installation, and is a continuing element in the Roths’ cross-generational practice. As a condition for him to exhibit with Hauser & Wirth, Dieter Roth insisted that a bar form part of his first show in 1997. Along with his son Björn, Dieter Roth installed the functional ‘Bar 2′ (1983 – 1997) around the corner from the gallery in Fabrikstrasse in Zurich. Every beer bottle served became a part of the bar installation and visitors’ conversations were recorded and archived. Nearly 20 years after this event, another bar—entitled “Roth Bar”—will now inhabit the gallery, bringing reality and art even closer together.

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Eleanor Wright/Sam Watson “Continuous Material” at Durham Castle Museum, Durham and Drop City, Newcastle

by mousse

May 22~2015

The contemporary is consumed by its own immediate past. Our histories set parameters for the present and the present seeks historicity. However, in an age of iconoclasm, political sleight of hand and a multitude of decentered cultural spheres, how do we perceive our physical and conceptual world? Continuous Material enters into a dialogue between the current and the past through their material cultures. The temporal disjunct is presented as both internecine and emancipatory, and through the poised negotiation of object and exhibition, Continuous Material offers guidance, not concrete absolutism.

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Hito Steyerl at the Artists Space, New York

by mousse

May 22~2015

Encompassing the entirety of Artists Space’s two venues in Lower Manhattan, this exhibition will include films, installations and lectures from the past ten years, as well as a new commission.

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“Deep Screen” at Parc Saint Léger, Pougues-les-Eaux

by mousse

May 22~2015

Jean-Marie Appriou, Cory Arcangel, Bastien Aubry & Dimitri Broquard, Dewar & Gicquel, Piero Gilardi, Tilman Hornig, Renaud Jerez, Rachel de Joode, Bevis Martin & Charlie Youle, Marlie Mul, Owen Piper, Hayley Tompkins, Anne de Vries

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David Douard “S’” at Union Pacific, London

by mousse

May 21~2015

.

at Union Pacific, London

until 23 May 2015

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Peter Regli “Reality Hacking No 324” at Galerie Art:Concept, Paris

by mousse

May 21~2015

Peter Regli presents a unique ensemble of sculptures that brings together emblematic figures and themes of his “Hackings” series.

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Elmgreen & Dragset “Stigma” at Massimo De Carlo, Milan

by mousse

May 20~2015

Stella Succi: In this exhibition, you focus on HIV, which is no longer a recurring subject for discussion or a recurring topic in art. I was wondering, why are you doing this now?

Elmgreen & Dragset: The problem today is that, due to the lack of public information on the topic and because nobody really writes or speaks about HIV anymore, a lot of people think, “Oh, it’s just a matter of taking a pill and then you’re fine”. No one talks about the heavy side effects of taking this medication, the cost of it, the fact that you are actually forced to take medicine for the rest of your life. You have to take medication with you everywhere you travel. But of course you have a very good chance of having a normal life expectancy today if you are on treatment. When HIV was dealt with in the art world previously it was as a fatal disease, and that situation has dramatically changed. So, we thought that it was urgent to talk about it again from a current perspective.

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