Mousse 66
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CONVERSATIONS
On Broken and Glorious Things: Jesse Darling
On the occasion of their first solo institutional show, Jesse Darling talks of why Jerome’s is a tale of oppression and love, how values are fetishes like BDSM, how bodies and civilizations inevitably fail, and why flowers grow particularly well in a graveyard.
REVIEWS
Stuart Middleton “Motivation and Personality” at Künstlerhaus Halle für Kunst & Medien, Graz
It’s an apparently labyrinthine structure, but really just a short pathway leading you through a spiral-like route entirely constructed from clothes—button-downs, T-shirts, trousers, pulled, worn-out, sewn together like an epidermis sourced from a flea market.
REVIEWS
The (ir)reversibility of the things existing all around us: Teresa Cos’s “Measure of Disorder” at Argos, Brussels
The darkened space hosts two screens across from each other. While on one screen the film runs forward, on the other it runs backward. Behind these, to one side, run the credits of the film which reveal also the significance of its locations; forwards and then backwards again, endlessly.
CONVERSATIONS
Amar Kanwar “Such a Morning” at Marian Goodman Gallery, New York
The dialogue will focus on what knowledge can be produced by art, and how the unknown can be a productive incubator in times of crisis. On the heels of the screening, Marian Goodman Gallery presents in New York the film in a solo exhibition which runs until 21 December 2018.
