Rows of ceiling-high wooden structures run along Fondazione Merz’s inner perimeters. Those precarious load-bearing axes reconstruct proportions and volumes of the former Runik House of Culture building, in Kosovo.

In fall 2018, artist David Horvitz and writer Yann Chateigné wrote letters to each other. Starting from a simple protocol based on the idea of having an epistolary exchange about the concept of correspondence itself, the conversation rapidly opened up to wider questionings. The letters published here evoke works as attempts of emancipation from standardized time, matters of absence and connectivity, communication and communion, as well as exhibitions as vegetal compositions and as discrete forms of communality.