Daria Martin’s A Hunger Artist, presented at London’s Maureen Paley, adapts Kafka’s text to redouble on its psychoanalytic tendencies, reinstating the structural punch line: the panther.
Mousse 65: Out Now
For Kuchar, the brutal banality of the everyday bucolic, the scatological, dances with its anti-counterpart, the celestial, in a lifetime project of understanding through his own manic vehicularity.
A linear playing field composed of abstract geometric shapes rendered in an expanded liturgical palette (its anterior accented with a callipygous form in a light flesh tone), Playing above the snake line covers the entire far stretch of ground on the institution’s roof garden before pressing itself up the garden’s wall.
The group exhibition Proof of Work reflects the confusion surrounding the 3.0 web phenomenon, while also celebrating its potential promise, if not surreal exuberance, bringing together works engaged with the culture around Bitcoin and blockchain.