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Julia Wachtel and Genoveva Filipovic at Vilma Gold, London

by mousse

February 14~2016

Julia Wachtel

For her second solo exhibition with the gallery, Julia Wachtel presents a new body of work that continues her ongoing landscape format paintings, a series she began in 1989.

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Jack McConville at The Modern Institute, Glasgow

by mousse

February 13~2016

Jack McConville creates paintings which respond to the fluidity of the content of digital culture with a strong awareness of art history and a carefully calculated gestural, bodily approach to the process of painting itself.

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Adrián Villar Rojas “Rinascimento” at Fondazione Sandretto Re Rebaudengo, Turin

by mousse

February 12~2016

Adrián Villar Rojas interviewed by Gianluigi Ricuperati

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Joel Tomlin “Calyx Horse” at Belmacz Gallery, London

by mousse

February 12~2016

Julia Muggenburg is pleased to present Joel Tomlin’s first solo show at Belmacz.

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Alain Biltereyst “Slow, Simple, Sweet” and “Grey” at Brand New Gallery, Milan

by mousse

February 11~2016

Alain Biltereyst “Slow, Simple, Sweet”

“Slow, Simple, Sweet” is the first solo exhibition by Belgian artist Alain Biltereyst in Italy.

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Jan De Cock “Abstract Capitalism” at Office Baroque, Brussels

by mousse

February 10~2016

Office Baroque is pleased to announce a new solo exhibition of Jan De Cock at our downtown gallery. This is the second exhibition of De Cock in 12 months time. The artist will be presenting 18 new Abstract Capitalist sculptures as well as 9 Memorial Drawings. The exhibition’s title “Abstract Capitalism”, appropriates the visual language of the “abstraktes Bild”, which the artist understands as a particular stage in the development of capital.

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Diango Hernández and “WAR II” at MOSTYN, Llandudno

by mousse

February 9~2016

Diango Hernández “Time Islands and Space Islands”

MOSTYN proudly presents “Time Islands and Space Islands”, the UK premiere of an institutional solo exhibition by Diango Hernández.

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“Paesaggi d’aria. Luigi Ghirri and Yona Friedman/Jean-Baptiste Decavèle” at Querini Stampalia Foundation, Venice

by mousse

February 9~2016

“Paesaggi d’aria. Luigi Ghirri and Yona Friedman/Jean-Baptiste Decavèle” is conceived as a conversation and an exhibition: first act of a research program connected to the “Ghirri Fund”, recently created at Querini Stampalia thanks to the passion and kindness of collector Roberto Lombardi.

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Emanuel Röhss “Invitation to Love” at Thomas Duncan Gallery, Los Angeles

by mousse

February 8~2016

Thomas Duncan Gallery is pleased to present “Invitation to Love”, an exhibition of painting and sculpture by Swedish-born, Los Angeles-based artist Emanuel Röhss.

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Lars Laumann “Kompendium” at Kunstneres Hus, Oslo

by mousse

February 7~2016

The exhibition “Kompendium” by Norwegian artist Lars Laumann features a selection of video works from 2006 until today. Though Laumann is one of Norway’s most internationally acclaimed artists, and among the most highly esteemed Norwegian artists of his generation, his works have rarely been exhibited inside of Norway. Kunstnernes Hus is proud to host this mid-career retrospective following the artist’s exhibitions at prestigious institutions such as MoMA and New Museum in New York, as well as Kunsthalle Basel and Tate Modern.

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Vincenzo Simone “Wonder (Seven pools)” at Operativa Arte Contemporanea, Rome

by mousse

February 6~2016

“For even as the avant-garde recedes into the past, it also returns from the future, repositioned by innovative art in the present”
Hal Foster

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CONDO: a collaborative exhibition by 24 galleries over 8 London spaces

by mousse

February 5~2016

Condo is a collaborative exhibition by 24 galleries over 8 London spaces.

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Taiyo Onorato and Nico Krebs “EURASIA” at Fotomuseum Winterthur

by mousse

February 5~2016

“We live our lives in the belief that the world is growing ever smaller. We eat vegetables from New Zealand, communicate in real time with people in Buenos Aires and Capetown, fly to New York for the weekend, and print books in China. We no longer have a feeling for real distances anymore. Our western world is plugged in 24 hours a day. Looking out of a jumbo jet, we see mountains and steppes, fields and villages passing by, 11 kilometers below us. Families live in each little building, and vehicles full of people move along the streets. Each of these people lives an individual life; each has a certain view of the landscape and a history. A dizzying thought. One closes one’s eyes; the sheer dimension of the idea is too immense. How does our world look in actuality? How does one cross the planet’s largest landmass? What kinds of images are the ones that make it back home? How does it feel to travel 15,000 kilometers by land, instead of taking the shortcut via the jet stream or fiber-optic cables?” (Taiyo Onorato and Nico Krebs)

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Daniel Steegmann and Adriano Costa at Mendes Wood DM, São Paulo

by mousse

February 4~2016

Daniel Steegmann Mangrané “Kingdom of all the animals and all the beasts is my name”

Mendes Wood DM has the pleasure of presenting “Reino de todos os animais e de todos os bichos é meu nome” (“Kingdom of all the animals and all the beasts is my name”), the third solo exhibition at the gallery by Catalan artist Daniel Steegmann Mangrané. The set of works displayed features two pieces never before seen in Brazil alongside a new body of work on the walls.

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Cathy Wilkes at Museum Abteiberg, Mönchengladbach

by mousse

February 4~2016

Cathy Wilkes (b. 1966, born and raised in Belfast) is a protagonist in the Glasgow art scene that rose to international prominence in the late 1990s.

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Jonas Mekas “All These Images, These Sounds” at APALAZZOGALLERY, Brescia

by mousse

February 3~2016

“All these images, these sounds…”
These are the opening words of the first personal exhibition of Jonas Mekas (Biržai, 1922) at APALAZZOGALLERY.

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Philippe Parreno “Hypothesis” at HangarBicocca, Milan

by mousse

February 2~2016

Over the past several years, technical innovations have created a pivotal shift in the way we produce, distribute, and see art. One must face, whether one wants to or not, dramatically greater volumes of visual information, reducing de facto the amount of time dedicated to each visual object and creating in the specific field of contemporary art what the critic David Joselit defines as a form of “super-velocity”. One needs to go quickly through as many physical or virtual spaces as possible to see as many works as possible. In this context of fast art consumption and the search for quick fixes, Philippe Parreno’s research in the redefinition of the exhibition format comes at a key point—not only because he pushes art institutions as far as they can go in terms of bound- aries, but essentially because he builds, designs, and thus materializes the very evanescent notion of time, offering a fierce resistance to everything described here above. When visiting “Hypothesis“, his first anthological exhibition in Italy, curated by Andrea Lissoni, it is impossible to enter, get a glimpse of the show, mentally record one or two strong images, and leave. And that is precisely Parreno’s tour de force: the rehabilitation of the visitor as an active subject capable of attention— as an acutely aware, vigilant presence in a given space where both instantaneity and memory are required to undergo a durational experience.

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Giuseppe Stampone and Sarnath Banerjee “The Third Meaning” at the Italian Cultural Institute in New Delhi

by mousse

February 1~2016

“The Third Meaning” by Giuseppe Stampone and Sarnath Banerjee, an exhibition curated by Eugenio Viola and Srinivas Aditya Mopidevi, opened at the Italian Cultural Institute in New Delhi.

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