Mousse 72
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Yu likes to spend considerable effort collecting raw material and discarded remnants from construction sites or abandoned areas, wherever she happens to pass through.
Federico Campagna argues that “reality” varies with each new era of the world and civilization, in turn shaping the field of what is possible to do, think, and imagine. To him, if we can change the common ground that sustains our common sense, the latter adapts with it. These are not utopias or far-flung historical realities, but practices of “world making.”
Minich has lived her life identifying as a female artist and exploring the gender duality and fluidity she feels within. Her work makes evident that the caress Irigaray speaks of is sly, humorous, and unavoidable; it affirms her assertion that no one can forbid this plurality, nor a woman’s pleasure in it.
Ian Wilson was a conceptual artist whose influential work took shape after he stopped making monochrome painting and sculpture in favor of uttering single words—first “time,” but also “circle”—to initiate conceptual conversations.
