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Richard Tuttle “I Dont Know. The Weave of Textile Language” at Whitechapel Gallery, London

by mousse

October 23~2014

This exhibition selects from five decades of works by North American artist, Richard Tuttle. It surveys his use of textile and each work is accompanied by a short piece of writing by the artist.

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Shinro Ohtake at Parasol unit, London

by mousse

October 23~2014

With an extensive, diverse and innovative body of works executed over the past thirty years, Shinro Ohtake has clearly positioned himself as one of the most important creative forces in contemporary Japanese art. Ohtake’s oeuvre includes drawing, pasted works, painting, sculpture, and photography, as well as experimental music and videos, but the activity of cutting and pasting is clearly his most powerful form of expression.

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“Bond Street Bar” at Max Wigram Gallery, London

by mousse

October 23~2014

An exhibition curated by Oliver Robb and Darren Flook.

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Nina Beier at David Roberts Art Foundation

by mousse

October 22~2014

A solo exhibition by Nina Beier presents recent and new sculptures including a major spatial commission created for DRAF. An ambitious new work, Tileables (2014), functions as a base for the exhibition.

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Neïl Beloufa “Counting on People” and “Beware Wet Paint” at Institute of Contemporary Art, London

by mousse

October 22~2014

Neïl Beloufa “Counting on People”

In this first UK institutional exhibition of Neïl Beloufa’s work, the ICA will show a selection of his latest works on film alongside recent sculptural works across the Lower Galleries and Theatre. These explore the representation of digital information systems and the often conflicting desires for openly available information within mass media. They will be exhibited in specifically designed architectural installations where certain aspects of the images are able to be manipulated and fragmented throughout layers of screens within space.

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Claudia Djabbari “Strategies of Chaos” and Erika Hock “The Seamstress, Her Mistress, the Mason and the Thief” at Tenderpixel, London

by mousse

October 22~2014

Claudia Djabbari “Strategies of Chaos”


Claudia Djabbari’s installations reflect on how familiar and practical solutions of living, working and housing manifest themselves in the world surrounding. Confronted against a sculptural and architectural tracery, they highlight social structures, and question the collective imaginary. A special interest lies in accumulating and storing. Her collections of objects are caught in the process of being packed or unpacked and carry a personal or otherwise meaningful value. Like remnants of the past they existing in the fragile state in between functional and nonfunctional.

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Last day to watch The Uprising by Jonathas de Andrade on Vdrome

by mousse

October 22~2014

“As farm animals are prohibited throughout Recife, those who get about by horse are rendered invisible in the eyes of the law. Only by treating the Horse-Drawn Cart Race as if it were a scene from a movie — that is, by having it considered to some extent as a piece of ‘fiction’ — would it be possible to obtain the authorisations needed to make it happen.”

Watch the entire film on vdrome.org

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KP Brehmer “Real Capital–Production” at Raven Row, London

by mousse

October 22~2014

KP Brehmer (1938–1997) found new ways to visualise global capitalism which are of increasing relevance today. In collaboration with his Estate, this exhibition presents drawings, prints, paintings, films, objects and publications, many of which have never been exhibited before. This is the first solo exhibition of Brehmer’s work in the UK.

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Pierre Huyghe “IN. BORDER. DEEP” at Hauser & Wirth, London

by mousse

October 21~2014

Hauser & Wirth is excited to announce Pierre Huyghe’s inaugural exhibition with the gallery. Huyghe works across media to create situations, cutting through time and boundaries, highlighting concepts of separation. “IN. BORDER. DEEP” features all new work including film, site-specific sculpture, and a series of aquariums. Viewed as a whole, the exhibition reveals a chronology which spans 30 million years until the present day.

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Reena Spaulings “Later Seascapes” at Campoli Presti, London

by mousse

October 21~2014

“Am I cleaning a small room or a large room?” asks the Scooba 450. Painting in the mega Hollywood format of Alex Israel’s airbrushed skies while channeling the bad British weather of JMW Turner. Late Turner found and lost in the spinning brush and lubricating/sucking action of a floor scrubbing robot. In Borrowed Light, Dead Salmon, Mole’s Breath and other colours selected from Farrow & Ball’s menu of “estate emulsions.” Somehow recognizing the grunting, senile-visionary late late Turner in the iRobot’s drone-like way of attacking the canvas or sky like any bathroom floor. A weather report in paint, a flood warning transmitting estate emulsions.

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Nate Lowman “Weeping Atlas Cedar” at Massimo de Carlo, London

by mousse

October 21~2014

Massimo De Carlo gallery is proud to present “Weeping Atlas Cedar”: the first exhibition by American artist Nate Lowman in the gallery’s new Mayfair outpost.

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José Rojas “Fracking” and House of Gaga presents Single Moms at Vilma Gold, London

by mousse

October 21~2014

José Rojas “Fracking”

Vilma Gold is pleased to present José Rojas’ first solo exhibition in the gallery. He lives and works in Mexico City.

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Cerith Wyn Evans at Serpentine Galleries, London

by mousse

October 20~2014

Serpentine Galleries presents an exhibition by Cerith Wyn Evans at the Serpentine Sackler Gallery. This major solo show presents a varied body of work brought together “in concert”, and Wyn Evans has described the exhibition as “responding to the spaces which examine the transformative ‘Site/Sight/Cite’ effects that light, sound and duration can have on both spaces and their occupants. The site of the gallery, the perception of sight, the citation of references are multiple and swarming.”

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Gabriele de Santis “On the Run” at Italian Cultural Institute, London

by mousse

October 20~2014

ARTUNER is pleased to announce a solo presentation of new works by the artist Gabriele De Santis at the Italian Cultural Institute in London. De Santis’ practice explores the narrowing dichotomy between the synthetic and natural and the increasingly pervasive cross-cultural influence of social media. The show’s title reflects De Santis’ interest in the idea of moving images, not in a cinematographic sense, but quite literally as canvases, sculptures and installations that refer skateboarding and are hence: “On the Run.” The title is also a nod to the eponymous Beyoncé and Jay-Z tour currently travelling the world.

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Pedro Cabrita Reis “The London Angles” at Sprovieri Gallery, London

by mousse

October 20~2014

Sprovieri is delighted to announce “The London Angles” the inaugural exhibition with the gallery by Portuguese artist Pedro Cabrita Reis. Cabrita Reis’ complex work can be characterised by an idiosyncratic philosophical and poetical discourse embracing a great variety of means: painting, sculpture, photography, drawing, and installations composed of industrial and found materials and manufactured objects. Focused on questions relative to space and memory, his work is based and built on investigations and silences.

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Ida Ekblad “ A day of toil among its ruins” and “A gentle looking little alien of sorts” at Herald St, London

by mousse

October 20~2014

Ida Ekblad “A day of toil among its ruins”

Two strands, even epigenetic codes, as these strands seem to stem, perpetuate and emanate from complex, molecular regions of creative life: the emergence of a certain phantasmagorical creature, a gentle looking little alien of sorts that seems blown and air-brushed into a puffy life-form, quantum-mechanically assembled through various un-identifiable archival figures, from cartoons and graffiti to sports stars, mascots, children’s books, the hang time of a certain number 23, and a seemingly endless flow of distinct and indistinct viral shapes. The inversions and implosions of the by now more familiar shopping trolley tracks, whited out containers of both poetic creation and erasure. They all bear witness to both a mindful registering and an automated absorption of contemporary materiality and life.

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Gillian Wearing at Maureen Paley, London

by mousse

October 20~2014

Maureen Paley is pleased to present the sixth solo exhibition by Gillian Wearing at the gallery.

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Kenneth Alme “My Tarp Has Sprung a Leak” at Rod Barton, London

by mousse

October 19~2014

Rod Barton, London is pleased to present “My Tarp Has Sprung a Leak”, the first UK solo exhibition of Norwegian artist Kenneth Alme. The apparent redundancy of a tarpaulin with holes is a key theme within Alme’s latest body of work and is reflected in the shows title, borrowed from Nirvana’s seminal Something in the Way. Alme cites the tarpaulins presence in popular culture as a constant trope in “My Tarp Has Sprung a Leak”; from Laura Palmer’s makeshift burial shroud in the opening scenes of Twin Peaks to the father’s use of a tarpaulin to protect his family in Cormack McCarthy’s The Road. In each of these cases an object that is traditionally used as a protective tool fails to provide the safety desired: “He pushed away the plastic tarpaulin and raised himself in the stinking robes and blankets and looked towards the east for any sign of light but there was none.”

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