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Matt Paweski & Andrea Sala “2732” at Cherry and Martin, Los Angeles

by mousse

August 1~2015

Cherry and Martin is pleased to announce an exhibition of new works by Matt Paweski and Andrea Sala. Intersecting perhaps only at their interests in the disciplines of design and architecture, Paweski’s and Sala’s works are wonderfully experiential due to their articulation of line and space and tactile material surfaces: paint-soaked wood, steel covered in powdery paint, candy-colored Bondo smoothed onto glass, Plasticine pressed into the cracks of shaped, buffed briar root.

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Shawn Kuruneru and “Mediated Images” at Brand New Gallery, Milan

by mousse

August 1~2015

Brand New Gallery presents “Mediated images”, a group shows with woks by Matthew Brandt, Joshua Citarella, Jessica Eaton, James Hoff, Chris Wiley and Letha Wilson. The artists in the show push the boundaries of contemporary photography experimenting new ways to use it. Photography is not anymore confined to the two-dimensional machine-dependent realm, but processes and techniques from various disciplines are juxtaposed and layered on top of each other, creating hybridized end products that defy easy categorization.

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Michael Smith “Excuse me!?!…I’m looking for the ‘Fountain of Youth’” at Greene Naftali

by mousse

July 31~2015

For over 35 years, Smith has developed an incisive practice that engages the tragicomic aspects of American culture and the art world, teasing out facets of loneliness, consumerism, and the personal measures of success and failure in each. Smith traverses these subjects through the lens of his performance personae Mike, the quintessential Everyman who continually falls victim to trends outside his grasp, and Baby Ikki, an impetuous toddler with a five o’clock shadow.

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Albert Oehlen “An Old Painting In Spirit” at Kunsthalle Zürich

by mousse

July 31~2015

Albert Oehlen’s first major institutional exhibition with the title “Abräumung” (Clearing Away) took place in Kunsthalle Zürich in 1987. Now, almost thirty years later, Kunsthalle Zürich presents its second installment of works by this German painter, who was born in 1954 and has been living in Appenzell for the last decade.

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“Toys Redux—On Play and Critique” at Migros Museum für Gegenwartskunst, Zurich

by mousse

July 31~2015

Cory Arcangel, Alex Bag & Patterson Beckwith, Judith Bernstein, Vittorio Brodmann, Marvin Gaye Chetwynd, Simon Denny, Harun Farocki, Jan Peter Hammer, Nic Hess, Danny McDonald, Dawn Mellor, Claus Richter, Tabor Robak, Timur Si-Qin, Michael Smith, Lily van der Stokker, Julia Wachtel, Hannah Weinberger

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INTERN AT MOUSSE!

by mousse

July 30~2015

Mousse, based in Milan, is offering a paid internship for an enthusiastic and creative graphic design student or recent graduate. Applicants should be excited to develop their ideas and knowledge while working on projects at a growing company that offers a friendly, team-oriented working environment.

Applicants should possess the following skills and experience:

• excellent knowledge of Adobe Creative Suite
• social media skills
• entrepreneurial approach to public relations and marketing
• ability to work in a team-based, collaborative atmosphere
• a passion for books and printed matter

Projects and responsibilities include:

• printed documents and promotional materials
• brochure layouts
• photographing some of our projects for our photo library and website

Applications, accompanied by a CV/portfolio, can be sent to francesco@moussemagazine.it with the subject line “Internship”.



John Waters “Beverly Hills John” at Sprüth Magers, London

by mousse

July 30~2015

In John Waters’s autobiographical book Role Models (2010), he complains about being labeled a “cult filmmaker” and wonders if he could write “cult leader” on his tax forms instead. Increasingly, Waters has attracted a hoard of fans who are drawn to his fascinating, intelligent left-field persona. People who love the man with the little moustache, even if his cinematic output is less in vogue. His mainstream period directing movies like Hairspray (1988), Cry-Baby (1990) and Serial Mom (1994) always felt odd—like someone sneaking in through the back door of Hollywood. The work was always too weird, too smart and too kitsch. It was not surprising in this politically correct era that Waters has not directed a film for over a decade. Instead, he has turned his hand to writing and creating work in an art context.

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“Signal Failure” at Pace Gallery, London

by mousse

July 30~2015

The silence on the floor of my house
Is all the questions and all the answers that have been known in the world
The sentimental furniture threatens the peace
The reflection of a sunset speaks loudly of days

Agnes Martin

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“Weird Science” and “No Vacancies” at Marianne Boesky Gallery, New York

by mousse

July 29~2015

“Weird Science”

Asger Carlsen, James Case-Leal, Adam Cvijanovic, Jay Heikes, Elizabeth Jaeger, Dean Levin, Dashiell Manley, Ruairiadh O’Connell, David Opdyke, Jacolby Satterwhite, Nick van Woert, and Letha Wilson

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Gareth Moore “A Burning Bag as a Smoke-Grey Lotus” at Stroom Den Haag

by mousse

July 29~2015

In a surprising and fragmented way the large-scale installation A Burning Bag as a Smoke-Grey Lotus by Gareth Moore describes the course of one full day. Six constructions function as display cases for a collection of sculptural instruments, representing a musical composition written by the arist himself that takes us from sunrise to sunset.

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Nicola Martini “The Sober Day” at kaufmann repetto, New York

by mousse

July 28~2015

Nicola Martini’s practice is characterized by an intrinsic dualism in which empirical research and ritual coexist.
Ancestral procedures such as baking, mixing and melting take Nicola Martini’s work to a sort of ground zero of sculpture, in which the artist allows the physical properties of the substances to guide the final form of the object (or of the space activated by the artist’s intervention) that is almost dictated by the physical characteristics of the materials and their reciprocal interactions.

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“The Infinite Lawn” at Tenderpixel, London

by mousse

July 28~2015

Adriano Amaral, Vanessa Billy, Petra Feriancová, Falke Pisano, Yann Sérandour, Ian Whittlesea.
“The Infinite Lawn” is the title of a chapter of Italo Calvino’s novel Mr. Palomar. It describes Palomar’s lawn as a collection of objects, namely grasses.

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“Violent Incident” and Cally Spooner “On False Tears and Outsourcing” at Vleeshal, Middelburg

by mousse

July 28~2015

“Violent Incident” at Vleeshal Zuterstraat

“Violent Incident” takes its title from Bruce Nauman’s 1986 video work. The show began from the invitation by Vleeshal’s director Roos Gortzak to Cally Spooner to curate a group show which would draw from the collections of Vleeshal and M HKA, and be concurrent and connected to the artist’s solo show at Vleeshal Markt.

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Kate Newby “I memorized it I loved it so much” at Laurel Gitlen, New York

by mousse

July 27~2015

Laurel Gitlen is proud to present the first US solo exhibition of the New Zealand, New York-based artist Kate Newby. Working with a variety of media including installation, textile, ceramics, casting and glass, Newby is a sculptor who is committed to exploring and putting pressure on the limits and nature of sculpture.

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Justin Morin “Petrolina Part II” at Last Resort, Copenhagen

by mousse

July 27~2015

Petrolina highlights the life of Piotr Tchaikovsky and encourages in-depth thinking around the concepts of writing, incarnation and staging. After having drunken a glass of non sterilized water from the Neva, a gesture then considered as reckless due to the related risks of disease, the composer became sick and died from cholera, just like his mother a few years prior to that. The blurry circumstances surrounding his death gave rise to many rumors: mere accident, suicide or murder ordered by a court of honor. The latter would have taken place following Tchaikovsky’s relationship with Victor Stenbock-Fermor, a young 17-year old officer, close to Tsar Alexander III. Unwilling to tolerate this type of relation, this “made up” declaration of death would have allowed to maintain the composer’s reputation, musical heritage as well as the virtuous image claimed by Russia.

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“Calisthenics” at Thomas Duncan Gallery, Los Angeles

by mousse

July 26~2015

Steven Baldi, Julie Beaufils, Camille Blatrix, Pol Chambost, Kate Costello, Matthew Darbyshire, Nancy de Holl, Lily Ludlow, Bruce M. Sherman, Linda Stark, Camilla Wills, B. Wurtz

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Lina Selander at Tiziana Di Caro Gallery, Naples

by mousse

July 26~2015

Tiziana Di Caro art gallery is pleased to present the first solo exhibition of Swedish artist Lina Selander (Stockholm, 1973). The exhibition includes three video installations created between 2011 and 2014, which are part of a larger project entitled Excavation of the Image: Imprint, shadow, spectre, thought, with which Lina Selander is representing Sweden at the 56. Venice Biennale.

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Peter Regli “One Sun – One Moon” at Dominique Lévy, New York

by mousse

July 25~2015

Regli is best known for his ongoing project, Reality Hacking, a series of temporary and often anonymous actions and interventions in urban public spaces and the natural landscape. Initiated in the 1990s and spanning four continents, “Reality Hacking” consists of over 300 projects to date, which trace the threads of Surrealism, Land art, and Conceptual art, and rely upon the artist’s keen observation and wit. Resisting any specific style, medium, or material, Regli explores the poetics of banality and the sublimity of quotidian objects and remote or abandoned places. “Reality Hacking” projects are often itinerant, some following objects the artist sets on a journey, while others appear in isolated, unexpected landscapes where they may be encountered by unsuspecting viewers.

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