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Anicka Yi “Jungle Stripe” at Fridericianum, Kassel

by mousse

August 30~2016

The origin of the word “hybrid” can be traced etymologically to two sources: Latin hybrida (mongrel, bastard) and Greek hybris (pride, arrogance). Unions between plants, human beings, animals and technologies give rise to flexible hybrids; organic and synthetic materials mutate into amorphous, indefinite beings.

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“Co–thinkers” at Garage Museum of Contemporary Art, Moscow 

by mousse

August 30~2016

“Co–thinkers” is the first in a series of projects at Garage Museum of Contemporary Art that seeks to expand the notion of inclusion in an art institution.

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Mark Handforth “SMOKE” at Museo d’Arte Contemporanea Villa Croce, Genoa

by mousse

August 30~2016

Villa Croce presents “SMOKE”, an exhibition by Mark Handforth, combining existing works with sculptures specifically created in response to the museum’s spaces.

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Peter Fischli and David Weiss “How to Work Better” at Museo Jumex, Mexico City

by mousse

August 29~2016

Museo Jumex presents Peter Fischli and David Weiss “How to Work Better”. Originally conceived and organized by the Solomon R. Guggenheim Fundation, New York, the exhibition offers a comprehensive overview of the remarkable partnership between Swiss artists Peter Fischli (b. 1952) and David Weiss (1946–2012).

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Sara Chang Yan “Escuto o Silêncio, Fala Inteiro e Com Precisão” at Madragoa, Lisbon

by mousse

August 29~2016

Madragoa is delighted to present “Escuto o Silêncio, Fala Inteiro e Com Precisão”, the first solo exhibition by Sara Chang Yan at the gallery.

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“Form Matters, Matter Forms” at APALAZZOGALLERY, Brescia

by mousse

August 29~2016

“We may speak of the form (or the thing as having a form) as an individual thing, but we may never so speak of that which is material by itself.”
—Aristoteles, Metafisica VII, 1035a

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“Revolution in the Making: Abstract Sculpture by Women, 1947–2016” at Hauser Wirth & Schimmel, Los Angeles

by mousse

August 28~2016

Hauser Wirth & Schimmel is pleased to present “Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016,” the inaugural exhibition at its new complex in the heart of the downtown Los Angeles Arts District.

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“Europa and the Bull” at Lambda Lambda Lambda, Prishtina

by mousse

August 28~2016

“He spoke, and immediately, as he commanded, the cattle, driven from the mountain, headed for the shore, where the great king’s daughter, E uropa, used to play together with the Tyrian virgins. Royalty and love do not sit well together, nor stay long in the same house. So the father and ruler of the gods, who is armed with the three­forked lightning in his right hand, whose nod shakes the world, setting aside his royal sceptre, took on the shape of a bull, lowed among the other cattle, and, beautiful to look at, wandered in the tender grass.”
—Ovidio, Metamorphoses, Bk II:833­875 Jupiter’s abduction of Europa

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Judy Blame “Never Again” at ICA, London

by mousse

August 28~2016

The Institute of Contemporary Arts (ICA), London, is pleased to present the first major solo exhibition by accessories designer, art director and fashion stylist Judy Blame.

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“Récitd’un temps court” at MAMCO, Geneva

by mousse

August 27~2016

The title of MAMCO’s new sequence of exhibitions programmed by Lionel Bovier, “Récitd’un temps court” [Tale of a Short Time Span] refers to the ways in which a period is divided up by historians and underlines the narrative dimension of the museum’s discourse.

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Beatrice Meoni “Tra le cose /Among the things” at Cardelli & Fontana, Sarzana

by mousse

August 27~2016

“I don’t portray permanence; more than anything else, I portray fragments in their becoming. The compositions – referring to them as such for reasons of simplicity—from which I begin are never definitive but move with the passage of time, either because some pieces fall over or because I move them around myself. I don’t establish permanent positions, a strong precariousness always prevails.”
—Beatrice Meoni

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Amy Sillman “the ALL-OVER” at Portikus, Frankfurt

by mousse

August 27~2016

Portikus is delighted to present “the ALL-OVER”, the first institutional solo exhibition in Germany by the American artist Amy Sillman.

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BOOKS SUMMER SPECIAL ~ LARA FAVARETTO: AGEING PROCESS

by mousse

August 26~2016

2016
344 pages
English
Softcover, 16,5 x 23,5 cm
ISBN 9783956791666
€ 32

Edited by Lara Favaretto. Texts by Anthony Huberman, Brian Kuan Wood, Dieter Roelstraete, Jörg Heiser, Joshua Simon, Jalal Toufic, Lisa Le Feuvre, Martin Herbert, Markus Miessen, Daniel McClean, Peter Eleey, Francesco Manacorda

BUY NOW

“SUBTRACTION FORMULAS” by Francesco Manacorda

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Melike Kara, Talisa Lallai and Lindsay Lawson at Studiolo, Milan

by mousse

August 26~2016

Studiolo is glad to present the artists Melike Kara, Talisa Lallai and Lindsay Lawson’s group-show, curated by Maria Chiara Valacchi.

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BOOKS SUMMER SPECIAL ~ JUDITH BERNSTEIN: RISING

by mousse

August 25~2016

2016
192 pages
English
Softcover, 23 x 30 cm
ISBN 9788269020915
€ 38

Texts by Maurizio Cattelan, Johanna Fateman, and Thomas Micchelli

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Judith Bernstein in conversation with Maurizio Cattelan

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Lena Henke and “Works off Paper” at SALTS, Birsfelden

by mousse

August 25~2016

Lena Henke “My History of Flow” – Curated by Anna Goetz

Lena Henke has developed a diverse body of sculptural works, often arranged in comprehensive spatial installations. Henke’s work references urban planning, Land Art, human relationships, sexuality and fetishism, consistently infiltrating the patriarchal structure of art history with a very smart and humorous tone. Her formal language and use of materials often alludes to Minimal Art combined vividly with Surrealist imagery.

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Guilherme Dable “The radio was always on in the kitchen” at Belmacz, London

by mousse

August 25~2016

Guilherme Dable has brought the memory of his childhood homes to his first solo exhibition in London.

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BOOKS SUMMER SPECIAL ~ DAN REES: ROAD BACK TO RELEVANCE

by mousse

August 24~2016

2016
144 pages
English
Softcover, 20 x 26 cm
ISBN 9788867492176
€ 28

Texts by Dieter Roelstraete, Saim Demircan, Ben Gregory

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“Two Views of Dan Rees’s Work” by Dieter Roelstraete

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