A linear playing field composed of abstract geometric shapes rendered in an expanded liturgical palette (its anterior accented with a callipygous form in a light flesh tone), Playing above the snake line covers the entire far stretch of ground on the institution’s roof garden before pressing itself up the garden’s wall.

The group exhibition Proof of Work reflects the confusion surrounding the 3.0 web phenomenon, while also celebrating its potential promise, if not surreal exuberance, bringing together works engaged with the culture around Bitcoin and blockchain.