Anne Collier and Jennifer West for High Line Art, New York

by mousse

February 14~2012

Presented by Friends of the High Line, High Line Art commissions and produces public art projects that take place on and around the High Line, a public park built on an historic freight rail line elevated above the streets on Manhattan’s West Side.

High Line Art invited Anne Collier to conceive a new commission for the 25-by-75 foot billboard next to the High Line at West 18th Street and 10th Avenue. This is the second work to be presented as part of HIGH LINE BILLBOARD. The new billboard follows the iconic and much celebrated presentation of John Baldessari’s The First $100,000 I Ever Made, a gigantic reproduction of a $100,000 bill that dominated the skyline in Chelsea during the month of December.

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The most beautiful Kunsthalle in the World / XVII. Marco De Michelis interviews Nikolaus Hirsch at Fondazione Antonio Ratti, Como

by mousse

February 2~2012

The most beautiful Kunsthalle in the World starts the new year–and its last season–with its seventeenth encounter: a conversation between Marco De Michelis and Nikolaus Hirsch about how to give life to The most beautiful Kunsthalle in the world.

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TONIGHT – Mousse Flea Market

by mousse

January 12~2012



Ten Fundamental Questions of Curating and Mousse #31 now available on the App Store

by mousse

January 5~2012

Big news! The new digital issue of Mousse is now available at the App Store. And from now on, you can also download the current issue of Ten Fundamental Questions of Curating, a project distributed with the international edition of Mousse, aimed at exploring the multifaceted physiognomy of the curator.

The seventh of ten dossiers presents Sofía Hernández Chong Cuy, who asks: “What about collecting?” The text is accompanied by the visual concept of Mario Garcia Torres. For further information about the current and back issues, click here.



“The most beautiful Kunsthalle in the world” at Fondazione Antonio Ratti, Como

by mousse

November 29~2011

The fifteenth encounter of The most beautiful Kunsthalle in the world takes the shapeof a workshop dedicated to probably the most complex and controversial problem of the exhibiting practices of contemporary art, as it will analyze the history, role, and physiognomy of the curator.

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“Metabolism” at Mori Art Museum, Tokyo

by mousse

November 16~2011

First presented as a manifesto in the 1960s in Japan, “Metabolism” is a theory of architecture contending that “buildings and cities should be designed and developed in the same continuous way that the material substance of a natural organism is produced.” From the time of Japan’s postwar redevelopment to its period of rapid economic growth, the theory gave birth to grand visions of future cities, encouraged the realization of much experimental architecture, and also provided the foundation on which many of Japan’s contemporary world-renowned architects and designers could build their careers. It is the most widely known modern architecture theory to have emerged from Japan.

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Mousse #30 on iPad

by mousse

November 9~2011

As you may already know, Mousse has doubled. From now on, you can read, scroll, tap and swipe Mousse on your iPad. Mousse on iPad comes with much more images, dedicated videos, and a bespoke layout.

While we feel happy about it, we definitely want to hear from you whether or not Mousse can be equally rewarding when experienced digitally. If you like, please share your love or hate about Mousse on iPad at digital@moussemagazine.it

The digital version of the current issue is free – download it here



Artissima 18 App now available on the App Store

by mousse

November 4~2011

Mousse is happy to announce the first digital guide to Artissima. Download the Artissima 18 App on your iPhone and discover a rich and comprehensive resource to live the fair. Arrange your visit, create your personal catalogue and navigate the constellation of projects and exhibitions in and outside the Oval.

Artissima 18 is a free application, and was developed by Mousse.



“George Kuchar: A Tribute” at Tate Modern, London

by mousse

October 27~2011


‘The head, heart, and hairy area below the stomach is what should be stimulated at the cinema.’ – George Kuchar

This tribute to George Kuchar, a towering figure in American underground cinema who passed away in August 2011, features films spanning his career and his collaboration with Curt McDowell.

With his twin brother Mike, Kuchar produced a prodigious body of Super-8 and 16 mm films in the 1960s and 1970s – idiosyncratic narrative psychodramas and pop cultural parodies that are charged with perverse humour and became a major influence on younger filmmakers such as John Waters. In the mid-1980s, Kuchar acquired an 8 mm camcorder and began producing an extraordinary series of video diaries, chronicling a singular, ongoing personal history. Exhibiting the rawness of video verité and the theatricality of fiction, his self-narrated tapes record close-up observations of the personal routines and social interactions of Kuchar’s daily life.

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“The Event”, Birmingham

by mousse

October 26~2011

‘Our feast has a forerunner: Plato’s banquet during the plague. Diotima, what causes you sadness? What confidence stops oblivion? The alleyways of the heart drive away the desert darkness, open the door for friendship. Are these the spells of Mary the Harpist? Coiled in her hands by a trick of fate. The Arabian hurricane plays on her harp. The last pledge, perhaps, of immortality.’

The Event is an international biannual art festival in Birmingham, this year drawn to the thematic of Plato’s Symposion  (385–380 BC), a text that beats with ‘the genesis, purpose and nature of love’. The ten-day festival comprises exhibitions, publications, encomiums, food parcels, performances, screenings and new commissions, including an evening of performance curated by Boris Ondreička of Tranzit.org, featuring Jan Verwoert, Karl Holmqvist, Emily Roysdon and more.

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Mousse at FIAC

by mousse

October 20~2011

From today through October 23, Mousse is in Paris at FIAC

Come visit us and find Mousse #30 and our latest publications at our booth at the Grand Palais



Mousse in London

by mousse

October 11~2011

Dear Friends,

Many of us will be spending this week in London. If in town, Mousse strongly recommends…

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SUNDAY party, London

by mousse

October 6~2011

••••••••••••••••••••••••••••••••••••••••••••

SUNDAY and MOUSSE
invite you to chat and dance

——————————————

ICA, The Mall, London SW1Y 5AH
FROM 9PM
WEDNESDAY
12 OCTOBER 2011

••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

SUNDAY art fair:
13-16 October 2011 at Ambika P3,
35 Marylebone Road,
London NW1 5LS

———————-—————–



Auto Italia Live

by mousse

September 30~2011

Auto Italia Live is an artist-run TV series which aims to experiment with new possibilities to engage in contemporary broadcast and internet culture. Working in collaboration with Auto Italia a wide variety of artists will produce new work through weekly episodes, engaging directly with the format of live Television and a history of artists using broadcast media platforms to distribute work.

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REPORT – abc art berlin contemporary 2011

by mousse

September 9~2011

abc art berlin contemporary

September 7-11, 2011

Station-Berlin, Luckenwalder Straße 4-6 10963 Berlin, Germany

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‘We Will Live, We Will See’ at the Zabludowicz Collection, London

by mousse

July 6~2011

‘We Will Live, We Will See’ is an exhibition that brings together a number of international artists whose practices examine the relationships between time, memory and forgetting. The show, curated by Pavel S. Pyś, pursues the potential that works of art may act as the lens through which the past is reconfigured, reinterpreted and made relevant today. Their meaning and specificity alters over time, producing a sense of temporality that is malleable and fluid. ‘We Will Live, We Will See’ draws upon such works to consider the past, not in terms of a normative ‘truth’, but rather in terms of unravelling, replaying and remaking.

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unFLOP paper #1

by mousse

July 6~2011

unFLOP is a new bi annual magazine in English, that investigates, critically, contemporary culture. It is a project on paper, it is eco, printed completely on recycled paper with vegetable ink; a unique collectors’ item and also an online project. A package similar to the floppy disk of old, each issue is designed by an artist. The package also contain a vinyl created exclusively for the magazine.

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FRANCE FICTION ‘Billes-club concordance accident’ at Jeu de Paume, Paris

by mousse

June 25~2011

It is a highly choreographed situation in which patent-leather shoes on a black wool carpet move around a pentagonal white pattern, shiny marbles roll and stop for an enigmatic reason at the exact angle of the pentagon, people in black suits bend down and get up, all directed towards the same axis: an invisible space situated in the centre of the pentagon that does not move… it repeats indefinitely…

Curated by Raimundas Malašauskas

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