Mousse Magazine

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JONATHAS DE ANDRADE
The Advantage of Being Numb
Stuart Comer

CHANTAL AKERMAN
No Idolatry and Loosing Everything that Made You a Slave
Elisabeth Lebovici

AKRAM ZAATARI
The Political Is Personal
Alessandro Rabottini

TO SHOW OR NOT TO SHOW
Jens Hoffmann and Maria Lind

SADIE BENNING
Transitory States
Tina Kukielski

SO BE IT
Nicolás Guagnini

SEAN LANDERS
No Intention To Fail
Beatrix Ruf

PROGRESS IS EVERYONE’S BUSINESS
Chelsea Haines

TRISHA BAGA
Hands-on
Esperanza Rosales

ERICK BELTRÁN
Some Fundamental Postulates
Max Andrews

EDUARDO BASUALDO
Logic of the Body
Cecilia Alemani

NEW YORK – LUCY RAVEN
Anamorphic Materialism
Fionn Meade

LOS ANGELES – LIZ GLYNN
The Rise and Fall of Liz Glynn
Andrew Berardini

LONDON – IAN LAW
One Place After Another
Pavel Py?

BERLIN – DANI GAL
History Channel
Ana Teixeira Pinto

PARIS – NEÏL BELOUFA
All Is Magic
Jarrett Gregory

SCRUTINIZE, INTERROGATE, SCRAPE. GIANIKIAN AND RICCI LUCCHI EXPLORE WITHOUT SURRENDERING TO HISTORY
Andrea Lissoni

THE CINEMA AS A WAYWARD FORM…
Christopher Eamon

IAN WILSON
There was a discussion…
Hans Ulrich Obrist

WHAT’S ALTERNATIVE? ALTERNATIVE TO WHAT? – CURATED BY VINCENZO DE BELLIS
Anthony Huberman and Yasmil Raymond

HANK WILLIS THOMAS
I Am. Amen
Luigi Fassi

THE PUBLISHING & EXHIBITING QUESTIONNAIRE
Francesco Garutti and Francesco Valtolina

EDWARD KIENHOLZ
A marvellously vulgar artist!
Anja Nathan-Dorn