Mousse 38
April-May 2013
JAMES BENNING
On the Real and the Reel: In Conversation with James Benning
Bruce Jenkins
THOUGHTS ABOUT CURATING MOVING IMAGES
Erika Balsom, Maeve Connolly and Chrissie Iles, Filipa Ramos
OTTO PIENE
Light, Energy, Life: Otto Piene
Ute Meta Bauer and Fender Schrade
CONCEPTUAL BLIND SPOTS
Caitlin Jones
ALEX BAG & JORDAN WOLFSON
Stage Fright
TALK ‘TIL YOU DROP: THE ART CONVERSATION AND THE COMMUNICATION IMPERATIVE
Isabelle Graw
CONVERSATIONS AT THE MARGINS
Joselina Cruz, José Roca and Bisi Silva, Adriano Pedrosa
NARI WARD
Looking Beyond
Anna Daneri
TRAJAL HARRELL, STEFFANI JEMISON, RALPH LEMON, OKWUI OKPOKWASILI, WU TSANG
Feeling Conceptual
Thomas J. Lax
LENA HENKE
Street Material
Judith Hopf
MATHIEU MALOUF
A really relaxing relieving work environment
Liam Gillick
ELOISE HAWSER
From the ruins of the present
Alex Ross
DAVID HORVITZ
What Color is Your Parachute, David Horvitz?
Jacob Fabricius
PRINTING PROBLEMS
Linda Mai Green
JESSICA MORGAN AND ANN TEMKIN IN CONVERSATION WITH JENS HOFFMANN
The Museum as Spectacle
BERLIN – PAULINE BOUDRY & RENATE LORENZ
Queer Archaeology
Anne-Sophie Dinant
LONDON – OLIVIA PLENDER & PATRICK STAFF
Alternative Systems
Laura McLean-Ferris
NEW YORK – SERGEI TCHEREPNIN
All the Right Noises
Simon Castets
LOS ANGELES – ROBERT KINMONT
My Favorite Dirt Roads: The Work of Robert Kinmont
Andrew Berardini
SWEET DREAMS
Jennifer Allen
PETER WÄCHTLER
Englisch Literature
Jamie Stevens
ARTWORK
Ana Teixeira Pinto
ED ATKINS AND ELIZABETH PRICE
The Dark Side of Pop
PIOTR UKLANSKI
Sorry I Am Not Sorry (for Polish Neo-Avantgarde)
Adam Szymczyk