Mousse Magazine

PAUL MCCARTHY
The Isle of Porcine Romance
Anne Ellegood

SANTO TOLONE
Roberta Tenconi

GARETH JAMES AND JOHN KELSEY
Don’t Come the Acid
Gareth James and John Kelsey

MARK BOULOS
Ecstasy, Militancy, and Marxist Filmmaking
Karl Lydén

PIETER VERMERSCH
The Lie of the Beholder
Dieter Roelstraete

JACOB KASSAY
Fields of Light
Anthony Huberman

ZACHARY FORMWALT
Representing Capital
Luigi Fassi

HAIM STEINBACH
Matt Keegan

A PLEA FOR EXHIBITIONS
Jens Hoffmann

STURTEVANT
Artist Project
Stefania Palumbo

LORRAINE O’GRADY
Living Symbols of New Epochs
Cecilia Alemani

OLD SHOES, SLOW FEET, FAST EYE
Jennifer Allen

BERLIN – JAN PETER HAMER AND THOMAS LOCHER
The Artist and the Banker
Jan Peter Hamer and Thomas Locher

PARIS – ISABELLE CORNARO
Expanding Possibilities
David Lewis

LONDON – ANGUS FAIRHURST & SARAH LUCAS
Just Where Do You Draw the Line?
Nicholas Cullinan

NEW YORK – AMIR MOGHARABI
Like a Book Searching For Itself
João Simões

LOS ANGELES – BARBARA T. SMITH AND SIMONE FORTI
We’ve Been Soldiers
Andrew Berardini

RUNO LAGOMARSINO
Cyclic History Is Always a Pradox
Gigiotto Del Vecchio

JACK SMITH
What’s Underground About Marshmallows
Andrea Lissoni

CATHY WILKES
The Vantage Point of Being Alive
Kirsty Bell

RASHID JOHNSON
The Long Distance Runner
Benjamin Godsill

THE FUTURE IS PRIMITIVE
Maria Fusco

AGLAIA KONRAD
Unorthodox Modernism
Katerina Gregos

J’ACCUSE MARCEL DUCHAMP (A CONFESSION)
Elena Filipovic