Mousse 24
Summer 2010
PAUL MCCARTHY
The Isle of Porcine Romance
Anne Ellegood
SANTO TOLONE
Roberta Tenconi
GARETH JAMES AND JOHN KELSEY
Don’t Come the Acid
Gareth James and John Kelsey
MARK BOULOS
Ecstasy, Militancy, and Marxist Filmmaking
Karl Lydén
PIETER VERMERSCH
The Lie of the Beholder
Dieter Roelstraete
JACOB KASSAY
Fields of Light
Anthony Huberman
ZACHARY FORMWALT
Representing Capital
Luigi Fassi
HAIM STEINBACH
Matt Keegan
A PLEA FOR EXHIBITIONS
Jens Hoffmann
STURTEVANT
Artist Project
Stefania Palumbo
LORRAINE O’GRADY
Living Symbols of New Epochs
Cecilia Alemani
OLD SHOES, SLOW FEET, FAST EYE
Jennifer Allen
BERLIN – JAN PETER HAMER AND THOMAS LOCHER
The Artist and the Banker
Jan Peter Hamer and Thomas Locher
PARIS – ISABELLE CORNARO
Expanding Possibilities
David Lewis
LONDON – ANGUS FAIRHURST & SARAH LUCAS
Just Where Do You Draw the Line?
Nicholas Cullinan
NEW YORK – AMIR MOGHARABI
Like a Book Searching For Itself
João Simões
LOS ANGELES – BARBARA T. SMITH AND SIMONE FORTI
We’ve Been Soldiers
Andrew Berardini
RUNO LAGOMARSINO
Cyclic History Is Always a Pradox
Gigiotto Del Vecchio
JACK SMITH
What’s Underground About Marshmallows
Andrea Lissoni
CATHY WILKES
The Vantage Point of Being Alive
Kirsty Bell
RASHID JOHNSON
The Long Distance Runner
Benjamin Godsill
THE FUTURE IS PRIMITIVE
Maria Fusco
AGLAIA KONRAD
Unorthodox Modernism
Katerina Gregos
J’ACCUSE MARCEL DUCHAMP (A CONFESSION)
Elena Filipovic