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Mousse 30
October-November 2011

GEOFFREY FARMER
Characters and Characteristics of the Work
Monika Szewczyk

IS THAT ALL THERE IS TO A CIRCUS?
Dieter Roelstraete

PHYLLIDA BARLOW
The Work Is Never Finished
Nicholas Cullinan

DAVID LEVINE
Rothko’s Ruins
Ana Teixeira Pinto

CRITICISM HURTS
Jan Verwoert

GEORGE KUCHAR
Carnivalesque George Kuchar
Juan A. Suárez

LLYN FOULKES
The Lost Frontier: Llyn Foulkes
Andrew Berardini

MELETE (“THE SOCIETY ISLANDS”)
Mark von Schlegell

DAN FINSEL
Art Therapy
Cecilia Alemani

BEN SCHUMACHER
Things That Look Like Other Things
Bob Nickas

JOHN HENDERSON
Absorption & Theatricality
Barbara Casavecchia

WU TSANG
Wu Tsang: Body Quotations, Back-Breaking Sparkle and the Dissemination of Wildness
Kevin McGarry

A NEW FRUIT
Nick Currie

LONDON – CALLY SPOONER
The Wor(l)d Is a Stage
Michele Robecchi

PARIS – JONATHAN BINET
The Way Things Go: a Conversation with Jonathan Binet
Vincent Honoré

NEW YORK – TIM ROLLINS & JULIE AULT
Shakers

BERLIN
Starship
Gigiotto Del Vecchio

LUTZ BACHER
The Gift
Fionn Meade

I’M FUCKED OUT OF YOUR MIND
Enrico David & Thomas Houseago

ALISON KNOWLES
The Future Will Be Fragrant Bean Fields
Hans Ulrich Obrist

TIME WARP
Rob Giampietro

AS LITTLE TIME ON THE GROUND AS POSSIBLE. FIRST ATTEMPT ON THE POSSIBILITY OF ARTISTIC SIGNIFICANCE BEYOND PHILOSOPHY OF HISTORY
Chus Martínez

WHAT’S ALTERNATIVE? ALTERNATIVE TO WHAT? – CURATED BY VINCENZO DE BELLIS
“Alternative to what, exactly?”
Andrea Fraser

TAMAR GUIMARÃES
A Strange Ritual
Andrea Lissoni

MOVING GODS ASIDE
Philippe Pirotte

JESSICA WARBOYS
Waves Wave
Emilie Renard