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Mousse 36
December 2012-January 2013

WERNER HERZOG
Into the Abyss
Jens Hoffmann

BÉLA TARR
Cinema is Power
Dennis Lim

THOMAS BAYRLE & OLIVER LARIC
Repetition is the Source of Life

100 YEARS OF READYMADE

The Readymade’s Virtual Field: Notes on Duchampian Shadow-boxing
Julia E. Robinson

Marcel Duchamp’s Absolute Art
Boris Groys

A Readymade Remade, Even, Again
Dean Daderko

Not a Readymade
Anthony Huberman and Haim Steinbach

Post-Readymade Pop
Jessica Morgan

Relics and Readymades
Alexander Nagel

The Rest of Borneo
Andrea Lissoni and Filipa Ramos

LUTHER PRICE
Body of Work
Ed Halter

XAVIER LE ROY
Giving Time Without Losing It
Bojana Cveji?

STEVE BISHOP
The Medium of Air
Laura McLean-Ferris

MERIÇ ALGÜN RINGBORG
Borders
Adam Carr

IAN CHENG
Info Touch
Ruba Katrib

NEW YORK – ANDRA URSUTA
Folklore Is Our Sci-fi
Cecilia Alemani

PARIS – MATHIEU KLEYEBE ABONNENC
Revisiting Militant Cinema
Anna Colin

LONDON – GERARD BYRNE
Sex and the Surrealists
Tirdad Zolghadr

BERLIN – AIDS-3D, SIMON DENNY, TIMUR SI-QIN
Post-Studio Practice
Bart van der Heide

ROBERT OVERBY
This Thin Skin Covers All The Rough Pleasures of Being Alive
Andrew Berardini

JEREMY DELLER AND SCOTT KING
Making More Stuff
Andrew Hunt

KEITH ARNATT
Erasure and Disappearance
Pavel Py?

NICOLAS DESHAYES AND MAGALI REUS
Distance and Desire

BOUCHRA KHALILI
Oral, paradoxical; and political
Adnan Yildiz