Mousse 36
December 2012-January 2013
WERNER HERZOG
Into the Abyss
Jens Hoffmann
BÉLA TARR
Cinema is Power
Dennis Lim
THOMAS BAYRLE & OLIVER LARIC
Repetition is the Source of Life
100 YEARS OF READYMADE
The Readymade’s Virtual Field: Notes on Duchampian Shadow-boxing
Julia E. Robinson
Marcel Duchamp’s Absolute Art
Boris Groys
A Readymade Remade, Even, Again
Dean Daderko
Not a Readymade
Anthony Huberman and Haim Steinbach
Post-Readymade Pop
Jessica Morgan
Relics and Readymades
Alexander Nagel
The Rest of Borneo
Andrea Lissoni and Filipa Ramos
LUTHER PRICE
Body of Work
Ed Halter
XAVIER LE ROY
Giving Time Without Losing It
Bojana Cveji?
STEVE BISHOP
The Medium of Air
Laura McLean-Ferris
MERIÇ ALGÜN RINGBORG
Borders
Adam Carr
IAN CHENG
Info Touch
Ruba Katrib
NEW YORK – ANDRA URSUTA
Folklore Is Our Sci-fi
Cecilia Alemani
PARIS – MATHIEU KLEYEBE ABONNENC
Revisiting Militant Cinema
Anna Colin
LONDON – GERARD BYRNE
Sex and the Surrealists
Tirdad Zolghadr
BERLIN – AIDS-3D, SIMON DENNY, TIMUR SI-QIN
Post-Studio Practice
Bart van der Heide
ROBERT OVERBY
This Thin Skin Covers All The Rough Pleasures of Being Alive
Andrew Berardini
JEREMY DELLER AND SCOTT KING
Making More Stuff
Andrew Hunt
KEITH ARNATT
Erasure and Disappearance
Pavel Py?
NICOLAS DESHAYES AND MAGALI REUS
Distance and Desire
BOUCHRA KHALILI
Oral, paradoxical; and political
Adnan Yildiz