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Mousse 38
April-May 2013

JAMES BENNING
On the Real and the Reel: In Conversation with James Benning
Bruce Jenkins

THOUGHTS ABOUT CURATING MOVING IMAGES
Erika Balsom, Maeve Connolly and Chrissie Iles, Filipa Ramos

OTTO PIENE
Light, Energy, Life: Otto Piene
Ute Meta Bauer and Fender Schrade

CONCEPTUAL BLIND SPOTS
Caitlin Jones

ALEX BAG & JORDAN WOLFSON
Stage Fright

TALK ‘TIL YOU DROP: THE ART CONVERSATION AND THE COMMUNICATION IMPERATIVE
Isabelle Graw

CONVERSATIONS AT THE MARGINS
Joselina Cruz, José Roca and Bisi Silva, Adriano Pedrosa

NARI WARD
Looking Beyond
Anna Daneri

TRAJAL HARRELL, STEFFANI JEMISON, RALPH LEMON, OKWUI OKPOKWASILI, WU TSANG
Feeling Conceptual
Thomas J. Lax

LENA HENKE
Street Material
Judith Hopf

MATHIEU MALOUF
A really relaxing relieving work environment
Liam Gillick

ELOISE HAWSER
From the ruins of the present
Alex Ross

DAVID HORVITZ
What Color is Your Parachute, David Horvitz?
Jacob Fabricius

PRINTING PROBLEMS
Linda Mai Green

JESSICA MORGAN AND ANN TEMKIN IN CONVERSATION WITH JENS HOFFMANN
The Museum as Spectacle

BERLIN – PAULINE BOUDRY & RENATE LORENZ
Queer Archaeology
Anne-Sophie Dinant

LONDON – OLIVIA PLENDER & PATRICK STAFF
Alternative Systems
Laura McLean-Ferris

NEW YORK – SERGEI TCHEREPNIN
All the Right Noises
Simon Castets

LOS ANGELES – ROBERT KINMONT
My Favorite Dirt Roads: The Work of Robert Kinmont
Andrew Berardini

SWEET DREAMS
Jennifer Allen

PETER WÄCHTLER
Englisch Literature
Jamie Stevens

ARTWORK
Ana Teixeira Pinto

ED ATKINS AND ELIZABETH PRICE
The Dark Side of Pop

PIOTR UKLANSKI
Sorry I Am Not Sorry (for Polish Neo-Avantgarde)
Adam Szymczyk