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Mousse 43
April-May 2014

KAI ALTHOFF
A Line That is a Circle
Nicolaus Schafhausen

WE DON’T NEED A DISLIKE FUNCTION: POST-INTERNET, SOCIAL MEDIA, AND NET OPTIMISM
Andrew Durbin

STYLOMETRY: PART I
John Menick

WORLDLY WORLDING: THE IMAGINAL FIELDS OF SCIENCE/ART AND MAKING PATTERNS TOGETHER
Carolyn Christov-Bakargiev

FRANZ ERHARD WALTHER
Attempt to Be a Sculpture
Hans Ulrich Obrist

BIOME WORLD: PURSUING A PEDAGOGY OF INVENTION
Chus Martínez

PAUL CHAN
|!”\(-,-)
Apsara DiQuinzio

ART AFTER THE END OF ART: EXHIBIT A
Jens Hoffmann

CAMERON ROWLAND
Target Hardening
John Beeson

ELAINE CAMERON-WEIR
Metabolic décor
Isla Leaver-Yap

SEAN RASPET
The Fragrance of Coins
Kevin McGarry

JOÃO ENXUTO AND ERICA LOVE
The Real Power of Open Innovation
Sarah Hromack

HALLUCINATION MUSEUM
Joshua Decter

TERRY ADKINS
The Last Recital: Terry Adkins
Charles Gaines

LISA WILLIAMSON, ALEX OLSON, LAURA OWENS
The empty-handed painter from your streets is drawing crazy patterns on your sheets
Andrew Berardini

BEN SCHUMACHER AND JARED MADERE
No Entity Can Ever Fully Comprehend Another Entity
Luke Schumacher

A.L. STEINER
Managing Impossibility
Chelsea Haines

RECODING IMAGES: MICHELE ABELES, SARA CWYNAR, JON RAFMAN AND TRAVESS SMALLEY
Lauren Cornell

LIZ DESCHENES
Radical Looking: In the Presence of the Image, in the Absence of Spectacle
Roxana Marcoci

TRUE BLUE OR THE WORK OF IMAGES IN THE AGE OF DIGITAL REPRODUCTION
Jennifer Allen