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Mousse 50
October-November 2015

MONIR SHAHROUDY FARMANFARMAIAN AND FRANK STELLA
There Is No Art Without Geometry
Suzanne Cotter and Hans Ulrich Obrist

L’ESPRIT DE L’ESCALIER: ON (MARRIAGE) AFFAIRS OF ART AND ARCHITECTURE
Sabrina Tarasoff

A.K. BURNS
If the Future Were Now
Lauren Cornell

DANCE IN THE RUINS: TRAJAL HARRELL, ADAM LINDER AND ALEXANDRA BACHZETSIS ON THEIR WORK, ITS INSTITUTIONALIZATION, AND THE ART WORLD
David Everitt Howe

DANCE FACTORY
Sven Lütticken

RICHARD REZAC
Vaults and Sailors
Judith Russi Kirshner

KELLY AKASHI
Unbound
Sarah Lehrer-Graiwer

ILLUSION AND REVELATION IN THE FLATLANDS: THE PAINTINGS OF MERNET LARSEN
Andrew Berardini

OSCAR ENBERG
Perverting Narrative Models
Chris Sharp

CALVIN MARCUS
Sympathy for the Devil
Michael Darling

YVES SCHERER
Days at Sea
Nikola Dietrich

HOW TO BECOME A VERY FAMOUS ARTIST
Chus Martínez

A SENTIMENTAL ANALYSIS
John Menick

KNOTTY BY NATURE
Carolyn Christov-Bakargiev, Ed Atkins, William Irvine, Jean-Michel Vappereau

IRENA HAIDUK
Realismically Speaking
Monika Szewczyk

THE POLITICS OF ART
Jens Hoffmann, Eric Baudelaire, Nina Beier, Maryam Jafri, Naeem Mohaiemen, Pratchaya Phinthong

JIM SHAW
Subliminal Drift
Natalie Bell

BRUNO GIRONCOLI
From the Millennial Chinese Realm and the Electric Era
Charlotte Matter

THE MATERIALITY OF DIGITAL FORMS
Erika Balsom and Omar Kholeif