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Mousse 63
April-May 2018

SAÂDANE AFIF
C’est l’orchestre qui fait le tableau
Eva Huttenlauch

MOTHER TONGUE
Rose Vickers

JACQUELINE KIYOMI GORDON AND C. SPENCER YEH
There Is No Front: Sound as Sculptural Material
Chiara Giovando

PAN DAIJING
Never Feeding, Only Generating
Andrea Lissoni

EVELYN T. WANG
Four Women
Hendrik Folkerts

DOMINIQUE GONZALEZ-FOERSTER 
Apparitions: Is It Fitzcarraldo or Véra Nabokov? King Ludwig II or Lola Montez? Or Scarlett O’Hara?
Roxana Marcoci

FORENSIC ARCHITECTURE AND METAHAVEN
The Inhabitant and the Map
Richard Birkett

THE MUSEUM OF TOMORROW: COLONIZING OUR FUTURE
T. J. Demos

RYAN JOHN KING AND KATYA ZAVYALOVA
Foam: Architects Mapping Blockchain onto the World
Elvia Wilk

NICOLAS MOUFARREGE
Prescient Stitches: The Work of Nicolas Moufarrege
Élisabeth Lebovici, Mounira Al Solh, and Dean Daderko

LISA PONTI
A Narrow Ladder with Which to Steal Apples
Hans Ulrich Obrist and Franco Toselli

ET IN ARCADIA WE GO
Dieter Roelstraete

GHOST STORIES OF ALMOST NOBODY
Sabrina Tarasoff

HAYV KAHRAMAN
The Diasporic Body in Motion
Omar Kholeif

VIVAN SUNDARAM: IN THE LIVING PRESENT
Natasha Ginwala

SER BRANDON-CASTRO SERPAS
Anxiety Becomes My Work
Ross Simonini

ULÓNGA 
Christina Lehnert, Leo Asemota, Nástio Mosquito, Bonaventure Soh Bejeng Ndikung, and Philippe Pirotte

LIN MAY SAEED’S SLOW BURN
Chris Sharp

AT LIBERTY
Anastassia Smirnova

POST-PERFORMANCE FUTURE
Marie de Brugerolle