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EXHIBITIONS

Katrín Sigurdardóttir, Liz Glynn, Jory Rabinovitz at SculptureCenter, New York

Katrín Sigurdardóttir “Foundation”

SculptureCenter is pleased to present Katrín Sigurdardóttir’s Foundation, Iceland’s representation in the 55th Venice Biennial in 2013.

A large-scale installation comprising a raised ornamental surface, Foundation maps the floor of a fictional 18th century pavilion, with hand-made tiles forming intricate patterns in the baroque style. Conceived as a trilogy of installations, the exhibition juxtaposes elaborate and ornamental decoration with the functional structures of repurposed industrial buildings. In each of its prior iterations, the installation intersected with the building structure cutting across interior and exterior walls and columns. At SculptureCenter the imprint of the architecture of the previous venues is visible, drawing a new pattern.

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at SculptureCenter, New York

until 28 July 2014

Katrín Sigurdardóttir, “Foundation” installation views at SculptureCenter, New York, 2014

Photos: Ron Amstutz.

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Liz Glynn “RANSOM ROOM”

RANSOM ROOM, Liz Glynn’s first solo project in a New York museum, is a continually evolving installation exploring the ramifications of cultural destruction. Glynn’s work has frequently referenced historic objects and artifacts to trace shifts in political, cultural and economic value over time. In this new project for SculptureCenter, Glynn focuses on a moment of total loss – the melting down of a large cache of precious metal artifacts during the Spanish conquest of the Incan empire.

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at SculptureCenter, New York

until 28 July 2014

Liz Glynn, “RANSOM ROOM” installation views at SculptureCenter, New York, 2014

Photos: Jason Mandella.

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Now Showing: Jory Rabinovitz

Now Showing is a program that highlights a single artwork or project in areas throughout SculptureCenter’s building.  New York-based artist Jory Rabinovitz will present a new site-specific sculptural work within a space recently created by the current renovation of the SculptureCenter building. The work, Non Olet, starts in the gallery space and extends into the men’s and women’s bathrooms, returning to the original site, and connecting these disparate areas.

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at SculptureCenter, New York

until 28 July 2014

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Jory Rabinovitz, “Non Olet” installation views at SculptureCenter, New York, 2014

Photos: Jason Mandella.

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